Showing posts with label libby fischer hellmann. Show all posts
Showing posts with label libby fischer hellmann. Show all posts

Monday, April 16, 2012

Virtual Book Chat Reminder -- A Bitter Veil



Acckk... It's almost here!


On Tuesday, April 17, at 6 PM (Eastern time so plan accordingly), Libby Hellmann will be talking about A BITTER VEIL, the state of publishing, and anything else that's on your mind during a 45-minute video chat online!


Shindig Events is a brand new service that allows up to 500 people to interact together. And it is so easy to use that even her 92 year old mother will be there. All you do is go to this website. That's it! You'll be able to ask questions, watch a slide presentation (don't worry—it's short) and even chat among yourselves. So please kick back and join her online.


RSVP here to get a same day reminder or just come on over.


Libby hopes to "see" you there.

Wednesday, August 17, 2011

Crime Fiction Writing Workshops

by Libby Hellmann

Hi, all. Having presented a bunch of smaller workshops over the years, I had the opportunity to conduct a full day on writing crime fiction at the Midwest Writers Conference a few weeks ago. The response of attendees was so good they inspired me. (Warning.. do not get inspired often -- it leads to work.) At any rate, I've decided to offer an intense one-day writing workshop here in Chicago... it will be at the Winnetka Community House on either September 24 or October 29.

Here's the gist of it:

Anatomy of a Crime Novel: The Craft of Crime Fiction"
Conducted by Libby Fischer Hellmann


They say that writing a publishable novel is 5% inspiration and 95% perspiration. In this hands-on intensive session, you'll sweat it out by exploring the elements of craft that make a crime fiction novel impossible to put down.

Whether you write cozies or hard-boiled, PI or amateur sleuth, you'll learn how the effective use of plot, narrative, voice, setting, character, dialogue, and suspense can take your work to the next level.

The workshop will focus on the practical as opposed to the theoretical, so be prepared for plenty of exercises and discussion.

Included in the price is a critique of 20 pages from your manuscript, provided it's submitted 30 days after the workshop. Libby will mark up the mss. using "track changes" and will talk on the phone with you about her comments.


Price: $375. Includes lunch, amenities, hand-outs, and edit of 20 pages. Class size limited to 12.

Questions? Contact me. Or you can sign up here.

2011 Workshops:
Saturday, September 24
Saturday, October 29
9-4 PM
Winnetka Community House
Winnetka, IL


Thanks. And now, back to your regularly scheduled programming.

Thursday, November 26, 2009

Thanksgiving

by Barbara D'Amato

Several years ago a friend who had been in a writing group told me this: “There was a lot of competitiveness and sniping at each other. I changed groups and the next one was good, but I had expected published writers to be competitive and envious, too. I’ve been very grateful for the mutual support I see in the mystery world. Friends are actually happy when I get a contract from a publisher.”

I’ve been thinking lately about the various surprises that come to writers when they finally sell a book. Some of the surprises are not very pleasant, but many are. I asked a few people what their experiences were.

Michael Allen Dymmoch:
What surprised me and enabled me to become a published writer was all the help I had getting there. Police officers like Hugh Holton, psychologists, and other professionals gave me information I hadn't thought to ask for. Your gracious offer to read and critique my manuscript--after you'd given me the terrific suggestion to novelize the screenplay I couldn't sell, encouraged me to finish the first draft and helped me make it better. And Ray Powers, my first agent, took me on even though the manuscript wasn't ready for prime time. The two rewrites he insisted on were what enabled the book to win the Malice Best First Mystery award.

Libby Fischer Hellmann:
That there were other (first time) authors like me, and we could do events together. Made road trips so much more enjoyable
That readers sometimes sent me emails with comments on the book
The most delightful part is holding the finished book in your hands and realizing you really did it..

Laura Caldwell:
Book clubs make me incredibly, incredibly thankful. To be in a room (usually with wine) with a bunch of people who have read your book and carefully considered it is amazing. And then there's the book club who do themes surrounding the book. It's so delightful. Once, in A Clean Slate, I had a character with a few freckles under his left eye. The book club made a massive batch of sugar cookies and decorated them with man's face, a few freckles under the left eye. They sent me home with a few on a paper plate and I still have them in my freezer (and this was seven years ago). Thanks, guys!!

Recently I’ve realized too how chancy it is. Over the years I’ve read a lot of manuscripts for people. Some were eventually bought by publishers but many deserving ones were not. A manuscript has to hit a buying editor at the exactly right moment. To those writing I would say keep trying. For my good fortune in finding editors who wanted to buy—thank you.